Allan Stephenson

These are all variants of an image called Pans Island. The original idea was from a photo of an island in the upper Thames  An […]

    Above is a more stylized version.      

Above – progressions of Loch Tulla Below-Progressions of The Loch                               […]

Above the actual view from Symonds Yat of the view of the River Wye in England. Above- Beyond The Shadowlands Oil 36×48 Above Oil version […]

in the Crete, Tuscany- Pastel 14z26 Above-Tuscan Poppies. Below another version.  

    Dolmen Chives-1972 Up Prefumo Canyon In the Palouse Salinas   In the eighties I illustrated many of the late Charles Cameron’s poems  

      Madonna Pregnancy Waiting                                       […]

    I did may pieces illustrating the poems of the late Charles Cameron

      Libra Rising Mudra 1974   Past-Present-Future ? What is without is within   Third Eye Heart Wave   Inner Music     […]

The Valley-California- acrylic 36×36 (1975 ?) City Of Refuge-Oil 9×12 Kona Town-Oil 12×9 Kona Coast Palm by then Sea- Oil Study 12x 16 Vineyard-Oil 24×48 […]

As a kid I was always drawing cars and airplanes so its came easy to do them later in life    Above The entry to […]

  The Old Sonoma Barn- Pastel 12×24 Above Kellogg Creek Oil 12×24   Above- Foothills of Mt Diablo Oil 36×36 Santa Riosa creek Santa Rosa […]

  Above Clearing Periods No 1 24×48 oil Above Clearing Periods No 1 24×48 oil Above-The Golden Valley.  For more versions see here Wye Valley […]

Above-Loch Tulla- Oil24x48 Commission For more on this image see here. Ellens Isle-Oil 36×48 For more click here. Sunrise at Beacon Rock- Oil 36×36 Above […]

The Secret Valley Pastel 1982 Above The Secret Valley Oil 12×16 Above The Secret Valley-Etching 1987 Below These are all variations since 2018 in oil […]

  Above-Mount Rainier Oil 24×48 Commision Above View of Mt St Helen’s from Suave Island 24×48 oil Above -WyEast 48×60 oil Above- a cooler version. […]

  My first professional work illustrating was with New Worlds magazine in London in 1968. Charles Platt was the editor and he sent me manuscripts […]

Very little of my work has survived from before 1967. At the time it did not seem important to me to preserve it. I wish […]